Accompanied by engaging facts, this image gallery aims to blend visual art with educational content, encouraging further inquiry and discovery.
The marsh frog is able to use the magnetic field of Earth to locate breeding ponds.
When a male strider (also known as “Jesus bug” because of his ability to walk on water) wants to mate, he skips the small talk and goes straight to the death threats. In case a mounted female closes her genital shield to deal with unwanted advancement, the male will alert potential predators from below by strumming the water. Since the female is closest to the water, she will be the one who gets injured from any impending attacks and that way, she is pressed into having a “quickie” in order to save her life.
House sparrows exhibit a remarkable affinity for human presence. Throughout most of the year, they are seldom found far from human settlements. Their adaptability is evident from instances where they've been discovered nesting in unexpected places, such as 2000ft underground in coal mines or within the confines of warehouses, showcasing their ability to thrive in diverse environments.
Cormorants are adept underwater hunters, utilizing their ability to dive for food. Their feathers are designed to prevent the trapping of air bubbles, enabling them to dive deeper. This is why you frequently observe cormorants standing with their wings extended, drying them after a dive.
Herons, particularly the Great Blue Heron, often sleep in trees to avoid predators and find a safe, elevated resting place. Despite their large size and long legs, they are surprisingly adept at balancing on branches.
The Canada goose is the largest goose found in Europe. Remarkably, they have become permanent residents in western Europe, and their population has been rapidly increasing for reasons yet to be fully understood. Consequently, they have been listed among the top 100 invasive species, posing a significant threat to biodiversity across Europe.
The bright red color of the red fire dragonfly is not just for show; it plays a crucial role in territorial and mating behaviors. Males use their vivid coloration to attract females and to ward off rival males, establishing dominance over their territory.
Pelicans have a small, pointed projection on the upper part of their beak known as the "nail" or "hook." This hook is used to help grip slippery fish and other prey, making it easier for the pelican to secure its meal. The hook functions similarly to a tooth, aiding in catching and handling their food efficiently. This adaptation is particularly useful when pelicans scoop up large quantities of water and fish in their expansive bills and need to sort out their catch.
A collection of self-designed, fun-loving crocheted animals, each wearing a pair of charming pants and ready to become your new best friend. These whimsical creatures are inspired by and named after beloved British comedians, bringing a touch of humor and personality to your home.
Rhythm Section is a part of the vibrant Picelectronic Festival, held at the Rotondes, a festival celebrated for its dynamic atmosphere catering to "headbanging kids and grooving parents" alike. This installation transforms the simple act of creating rhythms into a playful and educational adventure. Children can choose from a variety of colored and black straws and arrange them on a golden cardboard plate, creating visual patterns that translate into rhythmic beats.
Artwork created in collaboration with Milo Hatfield and part of the exhibition "Beyond My Eyes - In Search of Identity II" at the Rotondes.
excerpts from the exhibition brochure:
EN: By integrating or alluding to objects within their installations, the two artists prompt reflection on the formation of the identity of deceased individuals, whether as singular entities or within the context of broader society. This exploration underscores the diverse manifestations of detachment that stem from this process.
FR: Passant par l’utilisation ou la référenciation d’objets, les deux artistes invitent à une réflexion sur la construction de l'identité de personnes défuntes à travers l’individu ou la société de masse, soulignant différentes formes de distanciations qui en découlent.
Fanny Omes, Handle with care, 2023
Installation à partir d'une archive familiale privée (dès 1860), dimensions variables
L’emballage partiel ou semi-transparent sert de métaphore pour le lien de l'artiste avec ses ancêtres qu’elle n’a jamais connus, soulignant la nature précieuse des souvenirs familiaux. La distance avec les ancêtres devient également palpable à travers une confrontation entre matériaux âgés et contemporains, résonnant avec le gouffre temporel qui sépare leurs expériences vécues. En raison de leur caractère énigmatique et anonymisé, les portraits deviennent simultanément des représentations universellement résonnantes du concept de famille, invitant le spectateur à réfléchir sur ses propres liens ancestraux. L'identité et l'image que nous construisons de ces figures du passé sont entièrement façonnées par nos propres perceptions.
Milo Hatfield, 2023 Verzeechnes vun den Doudes-Annoncen an Trauerunzeigen zu Lëtzebuerg, 2023
Installation sur base d'archive imprimée sur papier 60g (1320 pages), 18 x 26,4 x 5,1 cm, avis de décès provenant du site gedenken.lu du Luxemburger Wort
L'archive d’avis de décès luxembourgeois de 2023 s'étend sur 1320 pages, reliées à la main sur du papier à 60gr/m2. Parodiant l’annuaire téléphonique, elle dédie une page par annonce mortuaire, indiquant à chaque fois le nom, prénom et l’âge du défunt ainsi que les dates de naissance et de décès. Le tout est arrangé alphabétiquement et est rappelé dans un index au début du livre. Dans son ton contemplatif, la publication s’efforce de préserver l'essence unique de chaque vie ; Elle prétend garder l’identité de nos proches ; Mais à quel point est-ce fructueux face à la pure masse qui englobe chaque avis de décès standardisé ?Tout de même, l'œuvre invite à trouver réconfort et connexion entre ses pages et reste incomplète si non explorée par son public.
